A Companion to Experimental Cinema is a group of authentic essays organized round each theoretical and historic problems with concern to movie students, programmers, filmmakers, and viewers. Newly-commissioned essays written by specialists within the discipline, together with dialogues performed with a various vary of practitioners, give attention to core topics to current a global array of overlapping and contrasting views. This distinctive textual content not solely supplies detailed accounts of explicit movies and filmmakers, but additionally discusses new approaches of understanding, characterizing, and shaping experimental cinema.
The Companion affords readers an accessible level of entry to the fabric whereas searching for to contribute to scholarly debates. Essays discover a variety of subjects throughout the realm of experimental movie, together with the shift from conventional biography to broader contexts, the elevated consideration afforded to native and transnational circuits of change, and the deepening of theoretical concerns relating to cultural id and cinematic aesthetics. Key themes and ideas are inter-woven all through the textual content, providing contemporary views on experimental cinema’s dialogues with different modes and practices of movie and video, its interactions with the non-cinematic arts, its responses to altering technological landscapes, and extra. A vital addition to the sphere, the Companion:
- Balances introductory summaries and scholarly dialogue with current literature
- Explores how the examine of experimental cinema can profit from scholarship in different disciplines
- Contains quite a few analyses of movies which might be available to view through digital media
- Discusses each canonical and obscure or uncared for works
- Examines the results of the rising diversification of experimental movie scholarship
A Companion to Experimental Cinema is a priceless useful resource for students of movie research and artwork historical past, curators and programmers, critics and bloggers, filmmakers and artists, and anybody fascinated with exploring experimental or avant-garde cinema.
In regards to the Creator
Federico Windhausen is a movie historian and curator, specializing in experimental cinema. He’s editor of Talking Straight: Oral Histories of the Transferring Picture (SFCBooks, 2013) and creator of articles on experimental movie and video in October, Hitchcock Annual, Gray Room, The Transferring Picture, MIRAJ, Millennium Movie Journal, Senses of Cinema, and numerous anthologies. Recipient of a 2014 Inventive Capital | Warhol Basis Arts Writers Grant. Visitor curator at l’Age d’Or Movie Pageant (Brussels), London Movie Pageant, Mar del Plata Worldwide Movie Pageant, Nationwide Gallery of Artwork (Washington DC), San Francisco Cinematheque, and Ambulante (Mexico). Creator of the primary Oberhausen Seminar on the Worldwide Brief Movie Pageant Oberhausen 2014 and curator of the Theme program titled El Pueblo: Trying to find Up to date Latin America in the identical pageant in 2016.