28.05.22 . 11:00 PM
29.05.22 . 12:52 PM
Ruben Ostlünd, Palme d’or for Triangle of Unhappiness:
Somebody advised me at some point: “The primary Palme d’or could be an accident, however the second actually means one thing.” My first time In Competitors, every little thing was new for me, and I did not reap the benefits of it. This time, I am with pals, with the workforce, so I am very completely happy.
On the time I had the impression that auteur filmmaking had turn into boring. I had the thought of taking over the essential themes of our time in a context that makes audiences need to watch the movie. We convey the viewers in to debate essential themes. Crucial query is that of duty: how can we construct a society collectively?
Lukas Dhont, Grand Prix (tied) for Shut:
I am very honoured to win this prize with this movie. It is an important movie for me. After Woman, I wished to talk of the topic of a movie with the identical depth. It talks about very private issues. I wished to make these feelings common. It is all the time a really fragile second, sharing one thing with the general public whenever you’ve put every little thing inside it. I attempted to stay trustworthy to myself whereas attempting to problem myself to do even higher. There’s an ideal want to make movies. I hope that, sooner or later, my movies will probably be simply as warmly acquired.
Claire Denis, Grand Prix (tied) for Stars at Midday:
I began writing the screenplay earlier than the pandemic. I considered capturing in Nicaragua. I ended up capturing it in Panama, with very strict guidelines. I had a want to dwell as we had been residing in actual life, that’s, with masks. I knew that as within the ebook, the landscapes had been going to name for the scope format. The focal lengths used focus the picture. Very shut proximity is thus demanded. A lot of the movie takes place in beds and bedrooms.
Park Chan-wook, Greatest Director Award for Heojil Kyolshim (Choice to Depart):
Whenever you learn the abstract of my movie, you say that it is one thing you’ve got seen 100 occasions. However I wished to go additional. Once we transfer into the second a part of the movie, there is a turning level: the female character is not the item of the masculine gaze. I had two sources of inspiration: the Martin Beck ebook sequence. He is a really attentive detective. The second is an previous Korean tune known as ‘The Fog’.
Tarik Saleh, Award for Greatest Screenplay for Walad Min Al Janna (Boy from Heaven):
Some individuals advised me that you simply wanted braveness to inform this story. I disagree. The story that I inform is common and offers with energy and authority. It may be understood wherever, even in Europe. We all know nothing about Islam and discuss it daily. Schooling is crucial, it makes historical past. It is in Egypt, in Iran, in Sudan that it takes numerous braveness to inform this type of story.
Felix Van Groeningen and Charlotte Vandermeerch, Jury Prize (tied) for Le Otto Montagne (The Eight Mountains):
FVG: We felt that on this story there was one thing essential to share. Every movie has been a step in my life. Initiatives have to come back to me. I might have by no means believed that I would make a movie in Italian. It was unimaginable to dive right into a world that I wasn’t conscious of. I realized to make a movie in one other language and that gave me confidence. When individuals take steps, that evokes others. Inspiration evokes!
CV: We make movies to open hearts. We remained trustworthy to the ebook as a result of it has a giant coronary heart. Paolo put his coronary heart into it and we wished to maintain this spirit on the display. He confirmed us the locations that impressed him. We lived within the mountains and the actors got here. We condensed these thirty years of friendship into a movie.
Jean-Pierre and Luc Dardenne, Prize of the seventy fifth for Tori et Lokita (Tori and Lokita):
LD: We wished to talk of acts of resistance to the hatred that’s turning into an increasing number of widespread. The movie is linked to the act of this baker who went on a starvation strike to forestall his younger apprentice, who was undocumented, from being deported. Quite a lot of solidarity was created round him. This exhibits that even when we’re afraid, we’re not fully prisoners of this concern, we are able to nonetheless escape from it.
JPD: I believe that what occurred tonight can persuade our determination makers that we should enhance the variety of theatres in Belgium, to offer extra place to auteur cinema, as in France.
Zar Amir Ebrahimi, Greatest Actress Award for Holy Spider:
Being current right here this night is a message for ladies, particularly Iranian girls. Some individuals in Iran need me to be invisible, each in life and in cinema. And but I am right here with this prize. That is the place our energy is, that of ladies.
Track Kang Ho, Greatest Actor Award for Dealer:
It is an ideal honour. The variety of Korean filmmaking has made this award doable. It is also due to your encouragement. Japanese cinema is well-known to Koreans, however we’re given so much to consider after seeing a movie by Kore-Eda.
Gina Gammelle, Caméra d’or with Riley Keough for Battle Pony:
An award for a primary movie, that fills us with emotion, it is an unlimited honour. In our movie, we speak particularly about Historical past and there is a story right here that is extremely wealthy and poignant. It is essential to say that this story is common. It is a story of younger individuals who discover historical past with their pals. It is a story that the world ought to hear. Cinema is a very powerful medium on the earth.
Chie Hayakawa, Particular Distinction for Plan 75:
It is a co-production between Japan and the Philippines. I used to be very fortunate. Once we make a movie, there are not any extra linguistic limitations. I made this movie as a result of I wished to explain the best way during which life is gorgeous. It is a movie on human dignity.
Jianying Chen, Quick Movie Palme d’or for The Water Murmurs:
I need to thank my household, particularly my mom in China. I used to be not anticipating this. Throughout filming I used to be filled with doubts. I reworked the script twenty occasions, we stored making adjustments in order that we might discover the suitable tone.
Abinash Bikram Shah, Particular Distinction for Lori (Melancholy of My Mom’s Lullabies):
I am completely happy, it is an ideal honour. To make a movie in my nation, there are very restricted sources. I need to dedicate this award to all of the filmmakers in Nepal.