HomeEntertainment & MusicMovieBenedetta Argentieri • Director of The Matchmaker

Benedetta Argentieri • Director of The Matchmaker



“It took a very long time for us to strike the correct stability, so as to present Tooba precisely how I noticed her”

– VENICE 2022: We spoke to the Italian journalist and director about her intriguing documentary portraying a feminine jihadist

Benedetta Argentieri has offered her fascinating documentary The Matchmaker [+see also:
interview: Benedetta Argentieri
film profile
on the Venice Movie Pageant, within the Out of Competitors part. We spoke to the journalist and director about her ambiguous protagonist Tooba, how she approached her and what it was like taking pictures in a camp in Syria.

Cineuropa: How did you study Tooba?
Benedetta Argentieri:
I began my analysis in 2019, in the course of the demise throes of ISIS. This was the second when it grew to become clear that an unlimited variety of girls had been concerned in it, and that is what attracted my consideration. After I went to the camp, it was Tooba who approached me. She noticed the digicam and was thinking about telling her story. I did not instantly realise who she was, however I began Googling her and came upon.

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What had been the situations like whereas filming?
I first needed to ask for permission to movie within the camp, and that was an extended wait. That a part of Syria is ruled by a particular administration. It’s not a recognised one, however nonetheless, it’s liable for the camp, and it’s a must to undergo it. I waited one-and-a-half months, attempting to persuade them, as a result of they weren’t very proud of the narrative that girls may solely be seen as victims. I first had one hour per day of entry, however I saved insisting and bought unique entry. It is the primary movie I’ve needed to shoot on my own as a result of the entry was restricted to me solely. The taking pictures situations had been very laborious, because it was summer time and it was extremely popular, at occasions as much as 48 levels Celsius. At such temperatures, the tools would not all the time work correctly: the digicam would abruptly shut down, for instance. Furthermore, within the camp, there have been a whole lot of youngsters working round, so it was loud and chaotic.

How lengthy did you spend researching and preparing for the movie?
I did a whole lot of analysis earlier than I began to speak to Tooba. I interviewed many different individuals – for instance, some Yazidi girls. In complete, I spent one yr in Syria, working as a journalist, and writing articles and items analysing the state of affairs. I used to be within the position of girls in ISIS and sought out the analysis outcomes about it courting again to 2015. It is a extremely controversial subject. I do know that for girls, there have been a whole lot of potentialities by way of tips on how to take part; they weren’t solely confined to the home. With this movie, I wished to problem how the mainstream media checked out them. We have to perceive why so many individuals resolve to depart their houses and be part of a terrorist group, like these girls did.

Have been you at risk at any level in the course of the making of the movie?
I went to the entrance line rather a lot, however the camp itself is a really harmful place. The Al-Hawl camp could possibly be thought of one of the harmful locations on Earth proper now. It is rather violent and segregated at this second in time. Whenever you seem there with a digicam, inmates attempt to assault the tools and the crew. However I all the time tried to be very respectful. Nonetheless, there have been a whole lot of uprisings and accidents.

Did you have got any issues whereas dealing with Tooba?
It took a very long time for us to strike the correct stability, so as to present her precisely how I noticed her. In the beginning, she was very candy to me, then she bought extra offensive when she noticed that she could not manipulate me as she wished to. She may be very good and succesful. She cried rather a lot, and there was a part of me that was empathetic, however I did not wish to let her use the movie as an apology. I needed to ask myself tips on how to take care of someone who had made this choice to affix ISIS. However the state of affairs she is in cannot be ignored: she was combating for her life and for the lives of her youngsters. I believe it is necessary to point out that no person is all good or all unhealthy; it is about nuances and about understanding. What was notably attention-grabbing for me was when she talked about her life in London – when she talked about the truth that she was on the lookout for happiness, though from the surface, you’ll have mentioned that she had an excellent life. I realised that, simply as she did, a whole lot of us reside a really fragmented life, by which we’re looking for which means. I believe that is the important thing level. It isn’t nearly them being loopy, however about what sort of society we’re rising up in, and how much values we’ve got. And they’re those difficult them.

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