“Male administrators are afraid of dropping energy, however feminine administrators don’t have anything to lose”
– On the Cinemed Conferences, we talked to the Les Movies de l’après-midi producer, who mentioned Meriem Mesraoua’s mission
Created in 2001 and headed by François d’Artemare, the Parisian manufacturing firm Les Movies de l’Après-midi is current on the forty fourth Montpellier Mediterranean Movie Pageant the place it’s pitching for the Growth Grant of the Cinemed Conferences (learn the information) the mission The Different Spouse (L’autre épouse), which would be the first fiction function from Meriem Mesraoua.
Cineuropa: What attracted you in regards to the mission The Different Spouse?
François d’Artemare: I met Meriem Mesraoua a couple of years in the past. She had proven me her quick movie Our Time is Operating Out and I discovered her proficient. We due to this fact determined to work collectively and I produced her subsequent quick movie, À fleur de peau, which was chosen in Competitors in Venice in 2020, with the objective to develop a function movie subsequent. We at the moment are transferring ahead with that mission, The Different Spouse, which tells the story of a pair whose relationship suffers a bit after the kids go away, and after 20 years of marriage. By taking excessive measures to avoid wasting the illusory refuge that’s this marriage, Salima, the protagonist, can be compelled to face the fragility of its picture, fastened for too lengthy. However the movie will in fact have a wider resonance, about girls in Algeria immediately, their social, skilled, household state of affairs, and the way they attempt to exist.
We’re nonetheless at a fairly early stage of writing and I’m the truth is on the lookout for a co-writer to assist Meriem — who is aware of completely properly what story she desires to inform — construction the movie. I hope that I can start financing originally of subsequent yr. I’ve labored on many co-productions, and have due to this fact developed a stable community in that space, so I’ve nice hopes of reuniting with companions I’ve already labored with earlier than. I’m completely open to co-production with Belgium, Denmark, Sweden, or Norway, with Eurimages as the following goal. And Qatar will little doubt be a part of proceedings, since it’s already financing the event of the movie. When it comes to filming, it should happen in Oran as a result of that’s the place the story is about, and the place Meriem is from.
Is that this mission consultant of your editorial line at Les Movies de l’après-midi?
I don’t know that I’ve a predetermined editorial line, however one factor is obvious: for 20 years, I’ve been producing extra movies by feminine administrators than by male administrators. I discover that there’s a superior power with them, a want for cinema and little doubt to alter issues. Typically, male administrators are afraid of dropping energy, however feminine administrators don’t have anything to lose. I largely work with filmmakers, from France or elsewhere, in whom I can really feel this want and this power. Furthermore, the movies I producer discuss in regards to the world and attempt to discover a usefulness of the way in which we have a look at it, be it from a social or a political perspective with Made in Bangladesh [+see also:
film profile] by Rubaiyat Hossain, or from a extra intimate perspective with I Wish to Speak About Duras [+see also:
interview: Claire Simon
film profile] by Claire Simon.
As a result of I began my producing profession in Portugal, this gave me a gap on the Portuguese-speaking world, and I’ve produced movies in Brazil, Mozambique, Guinea-Bissau, and Angola. Then, with my French firm, I in fact continued to work with Portuguese administrators (João Salaviza, João Viana, Marco Martins, and so forth.), however I additionally turned to different nations, relying totally on my encounters with filmmakers: Aida Begic in Bosnia, Radu Muntean in Romania, and so forth. It’s encounters which have formed my editorial line, however I additionally wish to keep in any respect value this artisanal mannequin of manufacturing.
What different initiatives are you engaged on?
Nice Yarmouth: Provisional Figures [+see also:
interview: Marco Martins
film profile] by Marco Martins was just lately introduced in Competitors in San Sebastián. At present in post-production is Banzo by Margarida Cardoso. I’m additionally co-producing Music by Angela Schanelec, which has been accomplished. The documentary Français, langue étrangère from Japanese filmmaker Madoka Nishino, about younger college students who’ve fled to France, is presently filming. Claire Simon and I are serious about her subsequent fiction movie, and Rubaiyat Hossain’s subsequent fiction movie is now on the financing stage.
(Translated from French)