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– With its 10-title competitors on the prime of an XXL programme very wealthy in premieres, the brand new version of the Francophone Movie Pageant will unfold from 23 to twenty-eight August
Houria by Mounia Meddour
The world premiere of Driving Madeleine by Christian Carion (chosen in Particular Presentation on the Toronto Worldwide Movie Pageant) will open the fifteenth Angoulême Francophone Movie Pageant (FFA) which shall be held till 28 August. The occasion, nicely appreciated by French distributors who like to check the general public’s reactions there earlier than releases, will shut with the Cannes title The Harmless [+see also:
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film profile] by Louis Garrel and affords a really dense programme together with a contest of ten titles evaluated by a jury presided over by André Dussollier (assisted by amongst others Verle Baetens, Leyla Bouzid, Joséphine Japy and Isabelle Kabano).
Within the operating for the 2022 Valois d’Or are, specifically, two titles revealed in Cannes, particularly The Worst Ones [+see also:
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interview: Lise Akoka and Romane Gueret
film profile] by Lise Akoka and Romane Gueret (winner of Un Sure Regard) and The Blue Caftan [+see also:
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film profile] by Maryam Touzani, but in addition Les survivants by Guillaume Renusson, Offended Annie [+see also:
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film profile] by Blandine Lenoir (found lately in Locarno), Le sixième enfant by Léopold Legrand, Houria by Mounia Meddour, Eloïse’s Journey [+see also:
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film profile] by Murielle Magellan, Habib la grande aventure by Belgian filmmaker Benoît Mariage, and two Canadian options.
24 movies function within the premiere programme, amongst which the Cannes competitor Perpetually Younger [+see also:
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interview: Valeria Bruni Tedeschi
film profile] by Valeria Bruni Tedeschi, A Lady by Jean-Paul Civeyrac (unveiled in Locarno), Youssef Salem a du succès by Baya Kasmi, Les Cyclades by Marc Fitoussi, Une histoire d’amour by Alexis Michalik, Le Tigre et le Président by Jean-Marc Peyrefitte, Le prix du passage by Thierry Binisti, Citoyen d’honneur by Mohamed Hamidi, De grandes espérances by Sylvain Desclous, Maria rêve by Lauriane Escaffre and Yvo Muller, Les femmes du sq. by Julien Rambaldi, Tempête by Christian Duguay, in addition to Simone, a Lady of the Century by Olivier Dahan.
The part Les Flamboyants will current 16 ans by Philippe Lioret, the Cannes title Our Brothers [+see also:
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film profile] by Rachid Bouchareb, the Berlin titles The Line [+see also:
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interview: Ursula Meier
film profile] by Ursula Meier and About Joan [+see also:
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interview: Laurent Larivière
film profile] by Laurent Larivière, and the animated function My Father’s Secrets and techniques [+see also:
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film profile] by Véra Belmont.
Within the Premiers rendez-vous part are notable La passagère by Héloïse Pelloquet, Vacances by Béatrice Sebbah de Staël and Léo Wolfenstein, C’est mon homme by Guillaume Bureau and the Cannes title Love In line with Dalva [+see also:
film review
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interview: Emmanuelle Nicot
interview: Emmanuelle Nicot, Julie Esp…
film profile] by Emmanuelle Nicot, whereas the Nouveaux Regards programme contains L’astronaute by Nicolas Giraud, Amore Mio by Guillaume Gouix, L’enfant du paradis by Salim Kechiouche and Rue des dames by Hamé and Ekoué.
To notice as nicely the Coups de coeur titles Arrête avec tes mensonges by Olivier Peyon and Le marchand de sable by Steve Achiepo.
The remainder of the very wealthy programme contains an homage (in movies) to Pathé, a piece celebrating the 15 years of Orange Studio, some cinema-concerts, a retrospective of earlier editions of the pageant and a tribute to William Harm.
(Translated from French)
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